Wanted to tell you all what happened to me after leaving by way of also passing a story along (though not with pictures).
I caught the 6:30 shuttle out of Rocky Mountain Park. We left at 6:10. A goodly but sleepy bunch of folk.
Just out of Peaceful Valley (oh, shades of Mickey Mouse!) we lost a fan belt. Luckily, we were right in front of a Dude Ranch.
Pulling over, we waited sometime for a replacement van. The chef at the ranch made us some coffee and tea which perked us all up.
Happy conversation ensued. It began to feel a bit like a Chaucerian group of pilgrims.
After reloading in the van, I visited with the driver the rest of the way down the moutain. An ex-salesman now Math teacher for ESL students, because he wanted to give something back, as he put it, I fell in love with the mountain of a man in the driver’s seat–so gentle, so sweet, so considerate.
We all said goodbye at the airport. An AEPLer helped me get in with my heavy bags. We parted. I missed the plane and was told that there wasn’t another flight to Atlanta with an open seat that day.
They suggested that I take a midnight flight to Dulles and fly in the next morning. Chosing rather to fly standby, I finally got on a plane around 1 pm, arrived in Atlanta in a thunderstorm, arrived a bit wet and exhausted at 11 pm in Milledgeville.
On the way from Macon, I talked with a graduate student. We became instant friends and she even wants me on her thesis committee.
Now, I’m with the other scholars, who seem to be the nicest people. And here in Georgia, of course, I’m sweetie, pumpkin, maam, darlin’, precious and there’s plenty of sweet tea.
But through all this journey, I never was anxious or worried, didn’t get mad at the steward who kept criticising me for my baggage, and kept a smile all day. I think it was because I left with a heart filled with peace.
And I’m guessing I have you all to thank for that.
Thanks for welcoming me into the fold.
SHERIDAN BLAU teaches in the Education and English departments at the University of California, Santa Barbara, where he also directs the South Coast Writing Project. A past President of the National Council of Teachers of English, he has served as the senior consultant for the development of California’s statewide language arts assessment, and on the panel that developed the assessment instruments and scoring procedures for certifying teachers applying for National Board Certification in the English Language Arts. He is the author of The Literature Workshop: Teaching Texts and their Readers.
The conversation in this session will begin with a look at teachers as they are portrayed in Charles Baxter’s short story “Gryphon.” In that story, Miss Ferenczi, an unusual substitute teacher stirs some fourth graders to think in new and exciting ways and other fourth graders to hang on fervently to the facts they learned from their “regular” teacher.
Using Miss Ferenczi as a starting point, we will explore the portrayal of teachers in stories and poems as a means to clarify professional dispositions for teacher education. Some points we may ponder: To what extent is our own identity as teacher shaped by the image of teachers we have read in stories and poems? What are some powerful metaphors for teachers and teaching suggested by these literary creations? How do these literary creations measure up the teacher dispositions being advocated by the teacher education professional community and especially by the teacher education accreditation policies? On the other hand, what might the role be for stories about teachers in the preparation of teachers?
Several years ago, I had a class that fundamentally shattered me emotionally, and since then I have changed my persona and my pedagogy to adjust to emotional situations in my classrooms. I am no longer the same teacher that I was five years ago—of course this has to do with growing wiser. But it also has to do with adjusting my pedagogy and overall approach to shield myself from the emotional trauma of that one class—a class that probably was an anomaly, but one that bruised me nevertheless. This interactive workshop will engage questions of authority and boundaries that we must often deal with in our classes.
Featuring readings—Kristin Prevallet, Laurence Musgrove and followed by an open mic.
Rachel will engage participants in a reflective exercise, and share her thoughts about how a very spiritual “not trying,” or non-work, is what’s at the heart of the mysterious event when composition occurs.
Alicia will share her practical experiences during the Post-Katrina period with her sixth grade students. She will explain how allowing emotions into the classroom, and following specific strategies and activities, made her year productive and successful.
In this 75-minute interactive workshop, participants will graphically explore their attitudes toward and relationships with reading and teaching. I will ask teachers to represent their reading and teaching visually in three ways, first a drawing of what happens when they read, second a drawing of how they would depict reading for their students, and third a drawing of what happens when they teach reading. We will then review these drawings as a way to examine their emotional or attitudinal dimensions, and consider methods for promoting other kinds of relationships with reading and teaching. I will also share examples of students’ drawings from my research that reveal a range of reading emotions.
Click here for a handout from this session.
My students’ emails sometimes make me angry. In this presentation I will I explore the social roots of my emotions through Arlie Hochschild’s notion of “the commercialization of human feelings”. Her idea ultimately allows me to understand the conflicting assumptions that students and teachers have about education—students tend to be realists, while teachers tend to be idealists. Exploring those assumptions, I conclude that the task faced by teachers today is more complex than that of merely helping students; we must also help ourselves. In discussing this, I will explore the interplay between realism and idealism and engage participants in a writing exercise about it.
“Beyond Rhetorical Conventions: Composing as Emotional Process in WAC/WID,” Wendy Ryden. Respondent, Beverly Wall